a woman reclaimed

(first day of national poetry month–felt like a day to write a poem–well, a draft of one anyway)

To contain, to protect the fragile radiance

of her dimming light, she crafted a mosaic—

a million and three tiny torn distractingly vibrant 

pieces of paper patiently pasted until

the armor, a perfect pretense, was complete…

seemingly secure and projecting only the rays

she knew would be safe in the sharing.

But paper is a flawed medium when storms threaten 

and even paste can’t hold

amid a deluge.

A million and three tiny torn pieces 

flutter as a loosening begins.

What was a gentle breeze, quickens

foretelling an approaching hurricane—

relentless and unforgiving, this force of nature 

will deliver only one thing with certainty…

Change.

Again.

A razing to force rebuilding.

A flooding to baptize rebirth.

Again.

And she is—

—Exhausted.

There have been too many revisions

lately; mandated by a harsh editor.

So, she attempts to will the paste to hold

…she attempts to funnel her strength

(all of it)

into this maintenance project.

Clenching fists and squeezing eyes 

tightly shut, she prays

as Gwendolyn taught her to:

“Be firm till I return from hell.”

And in that prayer,

she remembers…

…days when her light was abundant,

when it shone freely without fear

of shortage or outage, knowing

its vulnerability was a strength to be admired

rather than a target at which to take aim.

She recalls…

…the days before she was told to

temper herself

mute her hues

to accept that, well, to succeed,

this is the way.

But, this can’t be the way and 

She has known it, and today

she accepts it as true

and her prayers transform because

Lucille has also instructed:

“Today we are possible…everything waits for us”

And with that, a tiny piece of paper

Unlatches itself and sails off on the breeze.

Her eyes open,

fists release,

confident in her own strength,

her righteousness restored,

more pieces detach,

fly away

and as they do

she is fully herself,

a woman reclaimed

out of hiding

who knows that in fact, 

this is truly the way.

Her radiance roars,

her joy revived.

Her strength is beautiful 

And requires no disguise.

She is a force and the others,

well, they can suggest, but the choice

is hers alone.

And now, she knows it.

(in gratitude to Gwendolyn Brooks “my dreams, my works must wait till after hell”, Lucille Clifton “birth-day” and to the writers of “The Mandalorian”)

Eighteen Years

“All of these lines across my face
Tell you the story of who I am
So many stories of where I’ve been
And how I got to where I am
But these stories don’t mean anything
When you’ve got no one to tell them to…”

“The Story”, Lyricist-Phillip John Hanseroth

 Vocalist-Brandi Carlisle

I love stories. I see them everywhere—how they shape the world, how they build or dismantle understanding and relationship, how they are always at work crafting the person I was into the person I am becoming—never allowing complacency in the “I am” because stories are alive, they are moving and never still. I give witness to their power but don’t give my power over to them. I recognize that as often as I might feel lost in circumstances that seem to have become my only narrative, that it is my responsibility to pause, to breathe, to understand, to take back the pen, and to write my way forward. 

So, telling a story should come easily. And yet, this one, that I’ve told so many times, is resisting a new telling. In an effort to begin, I wrote the line “Eighteen years is a long time” last week and I cannot seem to get past it. I cry every time I step up to elaborate and the words I know I want to share get lost somewhere in the back of my brain. Because in that diminutive and deceptively obvious sentence are embedded not only grief laden memories of a day and the immediate days that followed, but also the vast emptiness of all that has been missed in those 18 years and all that will continue to be in the years to come.

Maybe I need a different way in? Maybe just the truth—not prettied with lush language. Maybe I can start there.

On December 16, 2004, my husband and I discovered during a less than routine ultra-sound that, at 17 weeks, our first son, Nathan, was no longer alive and I would have to be admitted to the hospital that same night to deliver into the world a child who would not only never know that world, but who would also never know his really mom and dad (and later his brothers). And the weight of his loss was heavy and immediate. I wrote his story for the first time some years ago here.

The story of that day is not the story I want to tell today…18 years later. I don’t think rehashing the intensity of that grief is what Nathan would want for his mom, so instead, my work here will be to climb out of my grief and to reclaim ownership of it and in doing so also claim my freedom from an obvious story of a lifetime of sadness. This climb presents a challenge though as this is a particularly steep one—especially today—but the effort has allowed me to realize that what was once a point of vulnerability is now this area of strength. That Nathan’s tiny life has and will continue to inspire the rest of mine. But to detail that impact even briefly, I have to share the parts of the story that are harder to see—I have to reflect on how my beautiful boy and his early departure have sown seeds of goodness in me that would not be rooted so deeply without him.

“Stand still. The trees ahead and bushes beside you

Are not lost. Wherever you are is called Here,

And you must treat it as a powerful stranger,

Must ask permission to know it and be known.”

“Lost”, by David Wagoner

The days and months that followed Nathan’s loss coincided with what could only be named a season of babies. It was just that time in life. I dug deep and decorated my face with smiles while attending showers and sitting in hospital waiting rooms all the while my heart was sort of a Sisyphean tragedy of shattering, pasting together, and re-shattering with every passing day. 

And then one day, I was leaving a friend’s house after delivering a fruit tray so she enjoy a healthy treat while taking care of her newborn. I got in my car anticipating a tearful drive home and what happened instead shifted my entire trajectory. 

I looked out of the window and saw the sky.

As though waiting to be noticed, the sky stood still, brilliant and blue with only a few wispy clouds and without even thinking about it the words “thank goodness for beautiful things, that sky is beautiful” came out of my mouth (out loud…alone in the car…clearly, I needed to hear them and not just think them). In that moment, I knew that my life would be so much more than this impossible grief…that there were still beautiful things in this world if I could find a way to pay attention to them…that my beautiful boy’s memory would be wasted if I spent every day immersed in the depths of this grief. 

But I also knew stepping away from grief would not be a trek down an easy path. And it hasn’t been. Here I am 18 years later still writing about it—because it is hard—even when you’ve never really met the person you are missing, grief is just hard…and lasting. What remains from that day though is a practice, a gratitude practice, that has pulled me through some of my hardest days and guided me through some of the darkest wildernesses. A practice that removes me from inside of myself and grounds me in the world—reminding me there is more in this life than a moment can hold. A daily practice that I sometimes have to force because some days are just harder (and for all kinds of reasons), but still a practice that reminds me that like Lucille Clifton wrote, “today we are possible…everything waits for us…what will become/waits in us like an ache.”

And so, what has become of Nathan’s memory? 


I see him in the faces of my own living children. I see him in the faces of every single child I teach, of every child I encounter. And in doing that, I am able to speak, to parent, to teach, to lead with greater empathy. I see myself in those around me and wonder “What aren’t they revealing in their smile? What might I be missing?” And my patience grows (I mean, maybe not when I’m driving…but still) and my vulnerability emboldens because maybe I can share something that will help…or maybe I can just listen and be present. I encounter difficult things and know that they might be terrible, but I can, in fact, survive…if I just look for the sky.

So, yes, 18 years is a long time. And yes, I would prefer it if my Nathan were still here, in his senior year, getting ready for graduation and the rest of his life. But my life and that of my family is the rest of his life, and it won’t be wasted. For that, I am willing to work hard. For that, I am grateful.

pausing

“Today I’m flying low and I’m
not saying a word
I’m letting all the voodoos of ambition sleep.

(…)

Stillness. One of the doors
into the temple.”

Mary Oliver, “Today”,  A Thousand Mornings

Today’s rain has been a bit of an unexpected gift. It is the kind of  rain that speaks in moderate and peaceful tones while also breathing a whisper of the storms arriving soon. Branches move gently as raindrops greet their leaves, making them momentarily heavy, then light again as the weight rolls away, absorbed by the ground below. The birds have retreated from play, calling truce in their bid to outsmart the dog in the daily territorial skirmish of the backyard. And the skies above, a blanket of solid gray, offer a bit of shelter from the sun’s brilliance, as if to say, wait, you don’t have to be busy; trust that you can pause, be still, and breathe (with intention)…as if to say, here is your reason to take care of yourself, watch–the world will still spin without your effort…as if the weather, or  something greater, knows we all need this permission sometimes.

Pausing grants presence that repetitive, exhaustive persistence cannot (a thing I may have just now truly appreciated). Today, I didn’t have to remind myself to seek gratitude, it just sort of puddled up around me because my surroundings weren’t a blur on the sidelines of my self imposed daily race. My surroundings and I, well, we were moving at the same pace. The grace granted in this slow down allowed me to see and be grateful for my present in real time, rather than only the future I am typically working to achieve or the past that has brought me to this place. And I realized how often I forget to see the moment I am in rather than the next one which keeps me from a fully cognizant gratitude stance. And I think too often allows me to focus on the frustrations of my health which flood my present as they impede my progress toward tomorrow and don’t look like the me of former years. When I am centered there, when those frustrations are my only present moment, then there isn’t much (or so it seems) to be grateful for today. I’ve become really good at embellishing and believing that lie. Except today, even with a pretty cruel vestibular migraine that has been ebbing and flowing for over a week–a thief of a holiday I have been so enthusiastically awaiting, I could see beyond the easy bait of the singular story of that present to a richer more complex and joyful one. I could see a story more reflective of my whole truth, rather than just my illness or my grief over it. I could see (again) that I am more than those things–every single day…my story is composed of so much more than that. And it was because I was actually living in my present, looking straight on, rather than behind or ahead, that I was able to do so.

Today’s rain is temporary, transient (ending as I finish this blog). The pause is but a moment. Tomorrow I will splash through the remaining puddles as I speed toward the end of one to-do list and to the start of the next. It is just that time of year. But in the midst of that movement, may the splash of the puddles be a bit of a reminder, a baptism offering new sight of a more complete technicolor today. A vision of the present that sees the hues of shade and shadow, but also takes in the brighter threads of joy and goodness I can so easily overlook. An accepting vision of the present not skewed by what used to be, what should be, what will be. A moment to hold what is as it is because in a breath, a flicker, that moment will also change. And to miss the truth of today would hold greater sadness than all the regret I can muster in what I imagine to be missing already.

Today, I am grateful for being granted a moment to revise my stance on stillness–it is not just something for me to remind others to seek, but it is mandatory for me to create for myself too.

I am good with today in that way.

(a good poem for a day like this…“birth-day” by Lucille Clifton)

A year lost

“…Wherever you are is called Here,/And you must treat it as a powerful stranger”

“Lost” by David Wagoner

It’s been a year. 

Today. Today makes one year.

And while I celebrate surviving that year, I have to name it Lost. Taken or Stolen might also work but that victimizes my situation and I am not here for that–that allowance would keep me stagnant in anger and helplessness. I cannot be about that anymore.

Lost. Lost speaks truth on so many levels. Most obvious of those, ground floor entry so to speak, the impact of my battle with Long Covid sapped my energy and muddled my brain’s acuity leaving me with only faded and blurred watercolor memories of the last year. So many things happened–events, trips, the life of my family–and while I was physically present I was also encapsulated in a bit of a Long Covid forcefield shielding my mind from the details, the weight, the value and thus the fullness of anything.

Lost. Second floor. Abandoned by my sensibility. For most of the year, my emotions neutralized themselves. I felt no surges of excitement, sadness, anger, anxiety, joy…which sounds sort of great in some ways, right? No anxiety for the person who has always struggle with anxiety is pretty fantastic, yeah? And I guess in some ways it was a nice departure. My body was dealing with an erratically racing heart as well as so much inflammation and overwhelm that it could not also manage inflamed emotions. Rationally, I get that. But honestly, I just felt radically empty most of the time which is why I assume the year doesn’t exist in vivid memory. Without emotions to tie to events, to anchor them inside of me, they just sort of float off into the distance leaving a vague shadow behind.

Lost. Third floor. And this cannot be overstated and is far from the cliche it sounds like: I lost myself. What does that mean?

Well, it is hard to quantify and qualify in a way that relates the compounding weight of the truth of this statement. Most obviously, in losing my ability to be fully present, to feel vibrancy of any shade of emotion, to think without roadblocks emerging between each and every thought, to participate in conversation without confusion, to remember even the simplest but most important details (this list goes on a while, I’ll stop here), it was impossible not only to be myself but to remember what it felt like to be myself. I want to emphasize that. I wasn’t just less than myself due to illness–I have been there before. I suffer with other chronic “stuff”. But I was lost inside of myself–I could not remember what it felt like to be the person I was before that positive test. Not on any given day did I feel fully me. And not on any given day could I harness the hope of finding that person because my energy had to be focused on simply getting through the day in the shape I existed. Exhausted already, I further laid waste to my energy supply in creating a mask that would hide the truth from those around me.

The things by which I identify myself–cooking, reading, writing, exercise, smiling, ridiculous optimism–had to be either relearned,  modified, or set aside. 

Cooking, my favorite way to show my love to others, transitioned into a chore. On my worst days, just the thought of standing in the kitchen and thinking through steps in a recipe, left me frozen in how to proceed. I could not desert cooking completely, but my skill and joy in it certainly deserted me.

As a reader, I found myself having to adopt new reading practices in order to maintain. Gone: my pencil in hand adept at skillful annotation and noting depth and nuance in a text. Adopted: a letting go of disappointment in myself for just reading the story without deeper investigation because I knew that reading in any form was good for my brain’s recovery.

As a writer, well, if it wasn’t mandated for work, it probably didn’t happen. I could not face my loss for words, my confusion mid sentence, my inability to see a piece through. A singular email at work could take me an hour to construct; I had no energy for personal writing. I lost my confidence in staring at a blank screen with a  brain that felt equally blank and hid behind my illness rather than writing my way through it. 

In a fleeting attempt to maintain some semblance of my former reality in the face of so much loss, I tried to reinsert my pre-Covid, relatively intense, exercise regimen (even if watered down a bit). I quickly learned that I could no longer exercise during the work week if I wanted to be able to function in the world. I had to live inside of what my doctor called “the energy envelope” which meant instead of HIIT training and weightlifting, I was walking…and not during the work week. My physical strength began to mirror my eroding mental strength bewildering me further in who it was my body would allow me to be.

The rest of the list here–smiling…optimism–existed mostly because I reached deep inside to exude a picture that would bring about fewer questions about how I was really doing. A reach that left me fatigued beyond measure.

Lost. Top Floor. My coping strategies evacuated with everything else that comprised who I had previously been. All those years of managing chronic illness while also maintaining my strength of perseverance…all those skills honed over years even in situations like Long Covid where no answers or cure were clear…none of them could be called to mind and put into practice. I tried. Believe me, I really tried. But, honestly, that perseverance took so much more energy than I had inside of me. Something as simple as starting an anti-inflammatory diet (something I have done successfully before) required more thought than I could see through to fruition. Eventually, I stopped trying to cure my Long Covid symptoms. I preached patience to myself because it was the only tool in my arsenal that I could muster. I allowed myself the grace to wait rather than shaming myself for not fighting harder. 

So I waited. Impatiently patient. Resigned to maybe never seeing “me” again. Accepting of the need to rebuild from scratch.

And then, I guess you could say I snuck up on myself, because I never saw or felt “old me” resuscitating herself. And yet, she did.

And so here I am, a year later and I am cautiously optimistic that I am on the other side. In the last month of this year, I have read a book with the complexity of thought that mirrors (almost) the way I might have before…the inflammation that has flooded and plagued my legs and hands has receded…the cardboard has retreated from its post as a blockade between my thoughts leaving them feeling connected, even if only by a thread…I have found myself more fully present, laughing effortlessly, enjoying small moments and not needing to take a nap because of the effort…I have felt like myself for the first time in nearly a year and for that, there are no words. It’s not perfect. There are still hurdles to clear and some days are harder than others. But this moment brings honesty to two things I lost sight of this last year.

Gratitude and Hope.

 

 

hope’s effort

Chronic and invisible illness has become a daily struggle rather than an intermittent one. It is exhausting, often defeating, and always frustrating. But when I am able to channel it into writing, somehow that tension and discomfort is eased. I always share the poetry of others her but rarely my own. Today that is different which brings another kind of unease. But nonetheless…it is written (and unedited), so here it is, as it came to mind and then to the page.

hope’s effort

I hadn’t imagined this particular evolution

of days. This—

well, it wasn’t foreseeable

(a game Life plays, with a smirk, knowing

its caprice will always confound human ego).

Exhaustion permeates and saturates the hours,

restricting the freedoms and felicity Joy once knew

but took for granted in her attempt to live

without bounds.

And yet…

A thread of hope rises each day—

a mirage that cleverly deceives the mind

into believing today will be different—

better. It’s what I hold to with a fervor so

vibrant that it seems to be Joy (regained) or even

Wellness (restored)—

(Is it a smile she’s wearing, they wonder, or just

gritting teeth clenched tight

in fear of revealing ___________?)

But, instead it’s just my soul—

hoodwinked, and the believing,

well, it’s kind of tiring.

Hope, these days, engenders new depths of fatigue

because the thread is too thin and elusive,

impossible to grasp

each and every, and some days,

well, I miss it completely. It floats

away—shimmering aloft, visible but…just…

out of reach…

And yet…

I always wake in search of it,

again, because without it,

I’d be laid flat in the blindness

of the not-knowing haze—of the fog

that necessitates a beacon to avoid

getting lost, or worse, giving up entirely—

which is always an easier reach—a falsely 

tangible promise of ease, an empty promise, that,

well, evaporates the moment acquiescence is 

accepted by the mind, the body in need of something, 

anything simpler than the work required in facing, 

in maneuvering the obstacles which can’t be overcome

in a single day…the work required to 

persevere through darkening shades of complexity.

And so….

When the thread of hope rises

each day, each day I will reach

for it, I will cling to it,

until its promise is fulfilled…because

the alternative, well, that’s not living, that’s 

a shadow life…a shadow of life…

that’s existence…wasted,

a promise left waiting—

–unfulfilled in my impatience for something 

immediately better, 

which, well, blinds the eye to all that is still present,

to the thread of hope rising and waiting for the reach,

each day.

And so…

I grab hold…again…and again because despite 

my body’s fatigue, my brain knows this truth—

I am not helpless, hopeless in the face of ______.

Life will change, circumstances will alter,

that does not mean they are worse—

only alive.

And that challenge, of being alive, is always worthy of 

Hope’s effort.

(all gratitude to Anthony Doerr and his novel Cloud Cuckoo Land as the line “A thread of hope rises,” which appears on p. 144 of the novel, was the inspiration for this piece)

Seaspray

In this last year and a half of teaching during pandemic, I found myself reflecting heavily–wondering…considering… asking a lot of questions (more so than in a typical year).

Why am I teaching this material in the way that I am? Where is my focus centered–on kids or on material? Is this lesson really necessary in the learning lives of my students? How does this activity (you fill in the best word here–test, project, assignment, etc.) help kids grow as learners and as humans? How does this bring them actively into their learning process? In what ways will this learning open up their curiosity, ideas, perspectives? Is this work meaningful in the lives of the students seated before me?

When I cannot answer those questions in a way that aligns with what I know to be important in establishing a classroom that fosters engagement and is fully centered on the kids in front of me in that moment, then I know a change is necessary. In this year when so much was different and difficult and distracting, this reflection helped me maintain my focus and cull my practice. There was only time for what was truly substantive and significant. There was only time for learning that honored my kiddos, their voice, and their needs not only as students but also as humans living through a worldwide crisis (or, if you will, through worldwide crises).

It was a far from perfect year, but that intensity of inward gaze and outward paying attention to my kids created a critical cascade of change that should not disappear simply because things will one day return to some version of what was once “normal”.

One practice that withstood this crucible of questioning without much adjustment was that of daily poetry work. The work looks something like this…I bring in a poem (either one I have chosen or one a kid has recommended) printed and cut to size-ready to be taped into writers notebooks. We read the poem aloud, twice, then I ask my students (almost always) without agenda, to respond in any way that feels right to them. Maybe, the poem has struck them and they have something to say? Maybe they want to talk about structure or word choice or punctuation or line breaks? Maybe the poem reminded them of something and they want to write or draw about that? Maybe the poem ignited a creative flame and they will write in that direction? Maybe they feel a connection with the poet or they feel seen or they understand someone else’s perspective and they want to write or draw about that? This time can go any which way. It is theirs. I never pick up these notebooks. I never micromanage them. There is expectation and there is trust and in the marriage of the two, we are a community of readers, writers and thinkers.

After a few minutes of time in their notebooks, we talk. These conversations are never predictable or planned, but they are always worthwhile because they uncover learning I could not have foreseen…which is kind of the best.

Now, it would be dishonest to say that it’s easy for me to let their responses lead the way without my voice. Because I love poetry. Because I want them to love it. Because I want them to see all the nuances and depths awaiting them on that page. But it is also because of all of those things (namely that I want them to love poetry) that I stay out of it. If they are going to love it, it can’t feel like “just schoolwork”. They have to feel connected, invested, engaged and like they matter as individuals in the process. Once they fall in love with poetry (and they always do…always) and with some practice, my students come to notice all those intricacies on their own. And in that moment, the poetry and the meaning and the learning lingers and lasts because it is theirs. It belongs to them and not to me.

I spent last week at the beach with my family and friends. A much needed vacation after an incredibly stressful year. As I relaxed watching the waves, engulfed in the peace and serenity of their melodic journey to shore…as I felt the seaspray on my face, the sand beneath my feet, and the sun on my skin, I was reminded of two things (hang in their with me… teaching is always with me as is poetry so the connections are always close):

  1. This line of poetry by Juan Felipe Herrera in his poem “Let Me Tell You What a Poem Brings”:       “it isn’t exactly business that pulls your spirit into
    the alarming waters, there you can bathe, you can play,
    you can even join in on the gossip—the mist, that is,
    the mist becomes central to your existence.”

    He’s talking about poetry here–poetry is not about the business (in other words, it isn’t crafted so we can underline metaphors and circle alliteration). Rather, it is about allowing the deepest part of yourself to connect with the work…and when that happens, “the mist” or the undefinable bits of meaning that spark only for the individual, well, that mist “becomes central to your existence” That seaspray connected me to that singular moment in my life in a way that I can promise you my 14 year old son, for example, didn’t experience. It is still what lingers with me today and I haven’t been on that beach in days. 

  2. And then also this…My friend Ellin Keene talks a lot in her work about the value of the aesthetic in the classroom. And that is what this poetry practice elevates. It allows kids to stand in the presence of something wondrous and to find connection with it…it creates time for the poetry to steer them toward meaning and creation rather than the teacher telling them how and what to think or to observe. No one had to guide my beach appreciation moment and quite honestly if they had, I might have missed the seaspray…I might have missed the mist (couldn’t resist that)…and the moment would have been more the guide’s and less mine. And I needed that moment just like my kids need the time with poetry (even when they walk in, roll their eyes, and sigh deeply the word “poetry…”).

I’ve considered over time tightening up this work in my classroom. Making it more instructive or practical. But without fail, each and every year, I watch this work shape my students as readers, writers, thinkers, and creators. I watch as it emboldens them to play with words, to shape and share their voice, to venture out onto the shaky branches of analysis and creativity. I watch as they slowly come to own their notebooks, to treasure them. I watch as they bathe in the “alarming waters” and linger in the mist of the beauty of the written craft placed before them and the works they have yet to create. I watch and am filled with awe of their courage and their ability when freed to put it to use as they wish to.

Sometimes, crafting a structure for a moment, the scaffolding, is far better than filling in the details. There is time for more precise and intentional instruction in other ways and in other spaces in my classroom. This time for poetry will remain a gift to my kids. Always.

Forgiveness, part one

I am a chronic apologizer.

My apologetic refrain, a lifelong expression of my need to never inconvenience and to always keep the peace.

I try so hard to teach young women to never apologize for their existence or their strength or their voice and yet I cannot seem to break my own apologetic cycle. So much so that apology seems to be a state of being rather than a momentary but necessary sincerity. And it is disappointing that my urge to please all the people pushes me to say “I’m sorry” when what I should be saying is “This truth is difficult and less than easy, but here it is anyway. Let’s work through it together.” That truth I find myself explaining away contritely could be some element of the chronic illness that is beyond my control but with which I deal daily or it could be some issue that felt necessary to speak up about. And I’d like to be able to say that much of the onus for my need to express apology falls on others for perpetuating an expectation that I should feel sorry. But the responsibility remains with me. It is up to me to own my power. It is up to me not to waver in the face of derision because of it. And I’d also like to be able to say that the writing that follows will be my version of a pithy list of all the things I will no longer apologize for and why.

But it won’t be.

Because here’s the thing…I know that list. I teach that list. I remind others to abide by that list. But my own complicated truth is that I struggle to uphold it in the moments when it matters. This impulse to apologize is composed of threads so intricately woven into the fabric of my being, that to unravel them takes more than a confident written assertion.

And so I will begin in a different place. One that makes sense after a difficult, well, exhausting, day of apologizing needlessly, making myself smaller, and then quieting the things I know to have been important.

That place is forgiveness.

Because, while I cannot undo this habit immediately, I can give myself some grace in the process of trying to. I can forgive myself for faltering.

Today, I forgive myself for questioning myself when I should have questioned others.

I forgive myself for forgetting the value of my work and my voice in that work and for allowing the noise of others to intrude into what I know to be my worth and my truth.

I forgive myself for saying I am sorry when it didn’t need to be spoken. For giving others the easy way out by sacrificing myself so they could have it.

I forgive myself for walking away instead of sticking it out…for lowering my voice instead of furthering it. For turning inward to hide instead of seeking new ways forward.

I forgive myself for adding conditionals into my language that dilute my purpose in order to placate others who shouldn’t really require anesthetizing wording.

I forgive my body for its complications and for the pain, fatigue and challenges it elicits. I forgive myself for not taking the time I need to be well in order to be more for others. I forgive others for not being able to see past the carefully crafted performance of my smile to understand that I am unwell and just scraping by.

I forgive myself for being a flawed human, and at the same time I love myself for being an empathic one.

I celebrate myself for allowing empathy to enter and steer my relationships and how I reach out to and speak up for others.

I celebrate my heart for recognizing hurt in the humans around me and for wanting to be a salve in the healing.

I celebrate who I was yesterday, who I am today, and who I will become tomorrow because as I continue to revise what I have been  and who I want to be, I am grateful for the whole of it.

And this is how forgiveness works. Releasing the burden of hurt (whether it exists within or without) somehow (and rather unexpectedly) removes the scales from our eyes allowing us to see the good which, today, dug me out of a pretty deep hole. Love begins with forgiving the self because if we cannot forgive ourselves, how on earth will we be able to extend love and forgiveness to those around us. Writing this was a great reminder of that truth (especially since I had no idea where it was going when I began…I just needed to write). “Phase One” by Dilruba Ahmed is a great reminder as well…a beautiful one…and I unapologetically offer it to you to read.

open window

As I sit here to write this, I am sick with Covid and on my seventh day in isolation from my family, my students, the produce section at Whole Foods, and the world at large. My individual existence has taken one giant pause as I work to help my body heal and recover–and yet, the rest of the world carries on with a swiftness that renders me unable to compete. My emotions during this time have spanned the spectrum…at times angry (I’ve been so careful, so cautious, but I work inside of a school so exposure is a daily danger)…at times sad (My youngest texts me regularly from two rooms away that he is sad and misses me and I cannot even offer him a hug), at times joyful (as technology creates opportunities for connectivity even in the face of confinement). But, more than any of these, there has been panic…overwhelming fear facilitating full on panic attacks…more in the last seven days than in the last seven years combined. Not knowing what this virus will exact upon my system or the war it might wage on my family is terrifying to me. Will I be okay? Will the people I love be okay? Will I end up in the hospital, perhaps more alone than I am now? Will this linger? Will I survive?

That last question feels a bit dramatic, maybe. Except, it is the truth of the trek my brain has traveled. So, dramatic or not, it has been my reality. Why? Well, my body often exists in opposition to all I’ve done to care for it. It seems to enjoy testing the limits of my endurance, to place on trial my capacity to persevere. If there is a weird ailment, side effect, strange medical possibility…my body will seek it out hungrily…voraciously…fervently. What sounds like hyperbole, trust me, is not entirely such. I am exceedingly kind to my body, feeding it well, keeping it fit, all the things–yet it persists in rebelling. Vertigo. Unrelenting Migraine. Hearing Loss. Shingles Induced Nerve Damage. This list goes on. And so, I’ve come not to trust this body to behave itself, to follow the rules, to exist within the bounds of normalcy. And so, yes, my panic is a result of a lifetime battle with anxiety, but also as a result of not ever really knowing what my body’s next trick will be. And this, as well as concern for compromised members of my family and community, is why I’ve been so careful, so cautious, even when others thought it ridiculous. Yet, here I am anyway.

So, I’ve exerted as much energy fighting the anxiety and the frustration and the loneliness and the anger as I have ridding myself of this virus because those emotions will not be willing guides to wellness. And so I’m consciously making a list of positives (because, annoyingly, for better or for worse, this is what I do…):

  1. I’ve learned how to be dependent on others when needed without feeling guilty and my kids are learning the freedom that is carried by independence as they learn to cook some basics for themselves (their poor father is left to clean up their messes, but baby steps-at least they are cooking!).
  2. I’ve become dedicated to self care (because I can’t really care for anyone else from isolation): I am setting better boundaries instead of always people pleasing; I painted my toenails; I am stretching every morning; I am taking all the vitamins; I am binge watching “The Crown” simply because I enjoy it; I’ve opened and climbed out of my bedroom window daily to enjoy fresh air and a peaceful moment outside; and I am granting myself permission to rest (maybe it’s the truce my body’s been fighting for?)
  3. I’ve been showered in love and support and errand running and food delivery and checking in. Friends and colleagues and family have become beacons of hope and deliverers of joy not just to me but to my whole household. And all the praise to my resilient husband who is brilliantly rising to the challenges of running the show without complaint…and whose ceaseless entertainment of our teenage/pre-teenage boys has helped them to feel less afraid while mom is sick.
  4. I’ve discovered a new reading spot! Extra time alone in my room has equated to turning a chair to face the window to the backyard. Peaceful, lovely, perfect. It has been awaiting discovery and I’ve been too busy to see it.
  5. Stillness.

I opened my writer’s notebook today and the last time I had written, ironically, was in thoughtful response to Medora C. Addison’s poem, “The Days to Come“. Rereading it brought me further encouragement…especially the last stanza:

So shall the days to come be filled with beauty,/Bright with the promise caught from eastern/skies;/So shall I see the stars when night is darkest,/Still hear the thrush’s song when music dies.”

Which also made me think of Wordsworth’s “I Wandered Lonely As a Cloud” when he writes, “For oft, when on my couch I lie/ In vacant or in pensive mood,/ They flash upon that inward eye/ Which is the bliss of solitude;/ And then my heart with pleasure fills,/ And dances with the daffodils.”

Which called to mind Ada Limon’s “Instructions on Not Giving Up” — “Patient, plodding, a green skin/ growing over whatever winter did to us, a return/ to the strange idea of continuous living despite/ the mess of us, the hurt, the empty. Fine then,/ I’ll take it, the tree seems to say, a new slick leaf/ unfurling like a fist to an open palm, I’ll take it all.”

Which brought me to David Wagoner’s poem, “Lost,” —“…Wherever you are is called Here,/ And you must treat it as a powerful stranger,/Must ask permission to know it and be known.”

Poetry often restores my perspective and brings balance amid whirls of chaos in a world of concern–sort of in the same way climbing out of my bedroom window and into fresh air has restored my spirit in these days of isolation. Today, poetry offered bread crumbs on the path out of the wilderness of this illness. But there is more wilderness out there for the world is not absolved of pandemic simply because I’ve encountered it.

We are all weary warriors these days. I get it. I do. But this reality continues to find new ways to make its presence felt…deeply. So it is up to us to remember that all the hope offered in these poems is something to cling to as we continue to make sacrifices, small and large, to prevent others from facing the uncertainty and danger of this invisible instigator. We need to make visible our fortitude moving forward; we need to live in love of our neighbor, taking care to take care. It is the only way forward I can find. It is a path that will be briefer with company, for together we will shine a light toward better and healthier days far more brilliantly than apart.

The window is open. I am hopeful.

An explication of a year

Somewhere along the way, poetry transformed from a carefully curated collection of words existing on a flat page into a lens through which I view the world. It is a metamorphosis that is tricky to explain to anyone existing outside of  my brain (which is everyone…so hang in there with me…). It goes beyond the way poetry in its vastness can challenge my perceptions and expose the bubble ensconcing my existence…beyond the exchange poetry makes–a telescope to view the far reaches replacing the finite view through the microscope of our daily lives. I suppose that all good writing offers such an opportunity, but in its compact punch, in its easily consumable size and portraiture, poetry invites us into the confrontation with truth without overwhelm or overstatement…leaving space for us, as readers, to linger beyond the reading…to meet the poem with our story and to wrestle as we begin to redefine understanding.

Yet, even beyond this, I’ve grown to see life itself as a series of stanzas, lines, poems–pieces of a collection, of an anthology, reflective of my own story and the revision of my vision, of the truths I have come to learn. Having long been a big believer in the importance and impact of “story” in our lives (both the stories we tell and perpetuate and those told to us and about us), it is no great leap to now realize that my stories are framed in verse rather than in prose.

As we ready to depart form this year of so much, there is a call to be rid of it, to move on, to not look back. Yet, in looking back, I realize there is so much that we can’t nullify or erase if we are really to move ahead. If I look at this past year through this poetic lens, there are stanzas that speak haltingly to fear that are followed by stanzas sprinkling seeds of hope…stanzas revealing terrible trauma met by those marking the path to healing…stanzas revealing the rediscovery of what is truly valuable after stanzas marking our former fault-full ambition.

There is imagery laden with a militaristic stealth attack waged by viral particles too tiny to hold in human sight. And then there is the resultant imagery looming heavy with the weight of loss (lost time, jobs, loved ones, health…so much lost). But there is also imagery erupting jubilantly with the wealth of humanity unveiled in the face of isolation and difficulty…singing from open windows, birthday parades, mass meal distribution, surging gratitude for those on the front lines, teachers delivering books to kids in need of a read.There were weeks and months that overstayed the welcome of their allotted time, of their line, and replicated their difficulty in the weeks and months to follow in an extraordinarily uncomfortable bit of enjambment.

But I think the punctuated moments offered up to pause and reflect are where I linger the most. The moments within parentheses where we brought joy and newness to our lives interrupted (as if to say, “Take that!”). The ellipses dividing the lines of our days as we pondered, “What next?” all the while realizing the danger of such a wonder. The constant question marks, line after line, stanza after stanza, as we walked through unknown regions with no map to guide us–only shifting sands beneath our feet and the next best step, which was?

But then this–mostly this…

I often tell my students that the em dash is like a poetic breath on the page–a bit of space sacrificed intentionally by the poet so we, the reader, can inhale, consider and exhale before moving on to the rest of the poem. The protests that awakened the world to the truth and still very present ravages of racism–that opened eyes to the systems still in place perpetuating daily the vast detriment that positions of privilege have birthed–began while the world sat in quarantine…hibernating, if you will, within the bounds of one giant em dash. We had the time–to pay attention, to look inward, to be unsettled by our own truths (well, as a white woman, I can only speak for my own truths), and to determine how to move forward. We had the time, without excuse, to witness, to listen, and to learn from this most difficult and complex stanza (one new to so many, but for others a repeated refrain they’ve known for years). We had the time to take the breath offered by the em dash of quarantine and to actively set forth to do more, to make change. That moment, that em dash, was gifted with intent by no Earthly poet because we are after all called to live this life in love. That love is not in name only nor can it thrive if we keep it blindfolded. This call requires each of us to act in love and that includes challenging systems that deny humanity. We needed a pause, a reset, to see this…to feel this…to live into this.

If I’ve learned anything from the stanza of this past year, I’ve learned the value of intentionality…of knowingly creating space to pause, observe, take a breath and move forward. This em dash intentionality is true in all aspects of my life–whether I’m examining if my actions speak loudly enough to my beliefs or whether I’m considering ways to spend more time making time for friends and family without the burden of school clouding my vision and my heart.

As we leave 2020, I am eager for the period that will close the verse, full stop, but I also don’t want to burn to ashes the pages containing the year, leaving them to scatter to the winds. The lines and stanza of 2020, if the struggle is to be worth anything, must color those yet to be written in 2021–so that we can be better, so we can exist in some form of gratitude for the days to come (even the crappy ones), so that we can ensure the year of too much doesn’t win. I won’t carry every line, every image, every mark of punctuation everyday, it would be too heavy. But “the mist” that Juan Felipe Herrera speaks of will linger as a reminder of all I’ve gained even in the leanest and cruelest of days.

(Also this…I love this poem as we enter a new year…“Oceans” by Juan Ramon Jimenez)

wonder

Lately, my migraine life has had a reductive impact on my exercise life…like walking my neighborhood is really all I can do without negative effects. I mean, some days are pretty golden and I can get away with a HIIT workout or some TRX work without too much residual discomfort, but those days are becoming more and more rare. But this new walking habit is not without benefit (beyond the physical well-being bit). There is a freedom offered in these walks–they belong solely to me, a rare moment in time where I act just for myself. I determine my path, my playlist, my distance, my pace. I don’t need to weigh the opinions of others. I don’t need to compromise with anyone else. I don’t need to negotiate with or listen to anyone other than myself. It is a step toward solitude, toward peace, toward wholeness.

And today, it was a step toward reawakening wonder.

We have this glorified drainage ditch running through our neighborhood…my kids call it a “creek” but I feel like that term just transforms their exploration of it on summer days into something a bit more adventurous–I mean, come on, who wants to say, “Hey mom, can we go check out the drainage ditch?” Words do matter and who am I to deny their careful work with connotation?! On recent walks, this “creek” (I’m just going to stick with the positive nomenclature of my kids here), has been pretty dry and even a little musty. Without the nourishment of rain for the past several days and even weeks, the creek was losing its richness and its beauty was waning(yep, the drainage ditch too can be beautiful). The creek bed was still there, patiently awaiting renewal in the natural cycle of things, but the deprivation on the path to getting there was taking its toll.

And then, after withholding its gifts for so many days, the rain paid a long awaited visit.

As I was walking today through that rain, I heard a noise outside my earbuds as I neared the creek. At first, I thought a car was coming up behind me and so I glanced around to be sure. Not a moving vehicle in sight (not many care to be out and about on a rainy Sunday). Then it struck me. What I heard was not a car, rather it was rushing water swiftly running down rocks and filling up the creek–almost as if it could not get there fast enough. They cycle of hardship was ended…patient endurance, rewarded with rebirth.

It was beautiful and weirdly wondrous at the same time.

In a time when so much feels lost…when we feel so without, so lost…to witness renewal in that way, well, it restores a bit of faith that our dried out, musty selves will one day (even if it is later rather than sooner) be met again by that which makes us whole.  Even in dormancy there can still be the expectation of revival and in that time of waiting, there can even be joy. And in the stillness of that hope (okay, stillness while walking a 14 minute mile…), I thought of Mary Oliver’s poem, “Song For Autumn” and how in it she offers fresh perspective on what we think of as the hibernation of nature’s beauty in the fall.

“Don’t you imagine the leaves dream now

how comfortable it will be to touch

the earth instead of the

nothingness of the air and the endless

freshets of wind?…”

Maybe the creek appreciated the rest, the time to itself, the solitude within which to appreciate the pause and the chance to just be? And maybe its reunion with the rain was even sweeter for the time without?

Maybe I am just a swoony hopeful optimist who seeks answers in poetry and nature for that which seems without solution?

But, a spark of joy was ignited inside my heart and in these days, that spark is good enough for me.