Hiatus

So, I’ve spent a good bit of time tonight writing. But I also find myself really liking that piece and wanting to take more time to think it through…to play with the words and their order…to push my craft forward a bit rather than simply producing a quick finished product. This was always going to happen. I love the act of writing too much to rush it, and the truth is that five of the seven nights of the week my writing is going to be more rushed than I care for it to be. I suppose it was part of the initial challenge. But tonight the piece means too much to me to make it less than it’s potential. So the dilemma is this, do I finish the piece quickly just for the sake of meeting the requirements of this challenge that I have set for myself? Or do I respect the piece and myself as a writer and let it be for now? (I think my bias is evident even in the wording of those hypotheticals.)

So, I’ve also spent a good bit of time tonight agonizing over this decision because a part of me feels like, “Hey, it’s Friday, you’re exhausted and want to relax…let the writing go.” Which concerns me because I don’t want to quit just out of fatigue and excise. Still another part of me offers justification, “Hey, you’re not lazy! You really like this piece and want to take your time and that is okay.” And I have to say, I’m pretty convincing on both sides of this argument…

I’m not sure where the absolute truth lies but I’m being kind to myself and extending some grace and giving myself credit for the draft not published and for this small bit of accountability writing for Day Six. The point of this endeavor after all was to create a writing discipline and not to create a writing misery. (Maybe something to keep in mind as a teacher of writers as well…) And I have taken the time tonight to write, so I don’t think I have cheated the challenge.

All this, just to say, today I am on hiatus. A new fresher more wide awake and more thought out blog awaits completion and publication tomorrow. I’m eager to return to it tomorrow, and I can’t wait to see its evolution on the page and then to share it with you.

But for tonight, I’ll just leave a link to one of my favorite poems of late, one that I’m sure to write from eventually (when I find words to put to my connection to it). It is Denise Levertov’s “Making Peace”

A peace offering of sorts for not having a real blog tonight. Enjoy! But more importantly let this poem lead you to wonder–linger with it, it’s totally worth it.

(Day six, done, sort of)

voice

Since the surgery on my inner ear, a negative pressure has developed. What might this mean? Well, thankfully, it doesn’t make me dizzy, but I hear every inhale and exhale I take no matter how shallow. My heartbeat pounds my eardrum causing vibrations deep in my ear (we won’t even talk about the cacophony in my head when I am running–all breath and pounding). There are several more elevated internal sounds that would shake even the most serene soul, but only one feels like a burden. Every word I utter reverberates, echoing loudly inside my head. If I didn’t talk for a living, this might not be such a big deal, but I spend my days talking to teachers, kids, colleagues, parents, etc. Sometimes I can just ignore it, but other times the distraction is overwhelming and I am rendered exhausted by the effort of just attempting to hold a simple conversation. In crowded or noisy places where I really cannot trust my own sense of the volume of my speech, I think twice before talking, wondering for a moment if what I have to say is really worth the exertion.

It’s in those moments, that I am so grateful to have the outlet of writing–to know who I am as a writer, to know how to use my voice in that way, and to know I have the confidence to do so. So many young people, though, come to my classroom having been told they can’t write, will never be able to write, are failures as writers (because that is what an F translates to) and their confidence is shattered. I imagine that for these students, writing feels about as comfortable as holding a conversation does for me right now. I also imagine that mustering the courage to put the words on the page, no matter how few actually make it there, is absolutely draining.

For many of my students, their first writing goal is just to work on their confidence because so much of me knows that they will never be able to learn and to grow as writers if they believe they can’t.  But confidence, it seems, takes trust. And so, my first goal as their teacher is often to build that trust. To prove to them in my methods and in my words that I’m present and my only hope is to encourage and support, to listen and assist, and to offer opportunities for revision and growth. Trust also comes because with the choice and freedom they have to define and develop their writing, they know I respect them as thinkers, as individuals. They know I believe that who they are matters enough to allow it to shape their assignments.

It takes time, developing that trust and building confidence, and sometimes it doesn’t happen in a single school year. But, it is always worth the effort because witnessing the moment a young person finally realizes and owns their voice as a writer, is one of the greatest gifts a teacher of writers can receive. There is a vibrance that is indescribable–the words have a greater texture on the page because they’ve been imbued with authority and style and every so often, nuance and grace. There is a vibrance that is indescribable—the smile that creeps across the face of the writer whose heart and mind are finally at peace with one another. There is a vibrance that is indescribable—in the face of a kid who is finally hearing commentary that recognizes not only their skill as a writer, but more importantly, its worth…their worth.

Those are the moments I was terrified to miss when I left full time teaching to become a principal who only teaches a couple of classes. How could I walk away from such incredible moments? Well, it took me some time, but I finally realized that I actually was creating the same moment only in different context.

I am always yammering on to students (and anyone else who will listen) that three things are most important to me for our students at all times:

  1. That everyday–I mean every single day–students come to school and feel free to be themselves–exactly who they are without the mask of who they think they are supposed to be. And that they feel this freedom because they feel accepted.
  2. That at some point in their educational careers at my high school they feel truly engaged in their learning. That may not be an everyday, every class event. I understand this, but I want them seeking engagement rather than just teacher or parent pleasing…rather than just working for a grade.
  3. That my kids leave this school knowing the import and weight of their voice and knowing how to use it for good in this world–and that they have the confidence and the skills to do just that.

All of these are integral to our success as a high school and, in my opinion, to the educational and future successes of our students. School shouldn’t be about just checking off skills and courses; it shouldn’t be about just getting a diploma or into college. School should also be about learning what it means to be an effective, productive citizen in this world. And if I’m being honest, I think that has everything to do with accepting yourself, seeking engagement, and using your voice for good. And again, if I’m being honest, when I see my kids standing up and using their voices in a purposeful way, with confidence, it is just as vibrant as it was in the writing classroom…just as meaningful…just as significant.

I suppose I should start listening to my own advice when it comes to this ear situation…accept, engage, speak up anyway.

(Day 5 done! This daily writing thing has been far tougher than I expected and I suspect my dog is tired of me spending so much time on my computer at night instead of scratching behind her ears, but the challenge has me moving through the world with the eyes of a writer in a far more intentional way. Grateful.)

 

awestruck

As an educator, I’ve long realized that my students are brilliant beyond all expectation and that if I will just get out of their way, they will prove that truth time and again. It’s the dismissal of my own pet projects and the getting out of the way that can be tricky. There are certain works and assignments that I simply love to witness kids interact with and grow from, so the temptation to micromanage the curriculum can often be difficult to dismiss.

This is particularly true in my AP Literature class. It’s less a temptation in this situation and more a burden placed by the weight of the test in May…you know, the test that is made without knowledge of my kids but that determines whether they will receive college credit without regard for the fact that maybe they have completed important, intelligent and profoundly thought provoking work all semester but maybe came into the test not feeling well. An entire year of work denied in four hours. I digress. My point is that given the import my kids place on this test, I feel an obligation to find a balance between teaching a really solid literature course and also instructing on the nuances of the test.

Every other course I teach roots itself deeply in the choice offered through reading and writing workshop, but my AP class has always been a little bit different. Choice has been present but within parameters–often set by me (particularly when it comest to reading).

This year has been a bit different. We still share a central text every now and again so we can discuss and learn from each other as a whole class. But our reading for the most part has existed in book clubs. And while, yes, there have been literary analyses that were written, this year we have also participated in a true writer’s workshop. Students set writing goals for themselves, selected a style of writing and topic that would assist them in achieving their goals, and then set to work. I was present for conferencing and teaching one on one as they went through the process.

What I found incredibly intriguing is that so many of the kids were inspired to write based on the books they had chosen for their book clubs. A few students read Layli Long Soldier’s poetry collection entitled Whereas. This beautiful book of poetry reveals the hard work of the poet, and the intricacy of Layli Long Soldier’s craft deepens the connection of the reader to the work, to the meaning (and also opens eyes). As much poetry as I have shared with my kids over the years (there has been so much poetry, trust me here), there was something magical about their independent reading and interaction with Whereas. Not only did they appreciate the text and have riveting book club discussions, but they also all decided that their writing goals would include exploring what they could really do with poetry.

Now I have to say that historically, when a student asks to pursue poetry for independent writing, questions like these are often involved… “So, like, how many poems do I have to write?” “So, 3 or 4 haiku would count, right?” “But what if I worked really hard on these two poems? Two would be enough, right?” This group of students, however, asked an entirely different set of questions… “Can I include an intermission in my collection?” “Would it be alright if my collection had 3 parts?” “I’d like the third part to be interactive for the reader–is that too creative? Will people get it?” “Can I play with spacing on the page and punctuation if it works with my point?” Meaningful questions about the work of a writer–questions that reflected thought and consideration and investment. I was dazzled.

And the outcome? Well, one student crafted a 62 page, three part collection of poems that illustrated the transition from anxiety/depression/hurt to taking a breath to finally healing (the healing is approached through an interactive set of poems and directives that aim to help the reader work toward healing rather than simply acting as a passive observer). Another student, who had never attempted to write poetry and maybe hadn’t even really attached himself to any piece of writing before, composed his own multipart collection in which he plays with spacing, punctuation and word choice in a rather magical way. His continued affirmations that he was so proud of this work only made its worth shine more brightly.

One student, intrigued by Jean Toomer’s style in Cane, attempted an entire essay composed in prose poetry, and get this, merged the airy, imagistic language with terms and ideas associated with Calculus and Physics. It was utter brilliance. Stunning to read. I’m pretty sure I audibly gasped at certain points. Again, the pride she took in her accomplishment was remarkable. She wrote, “I read it out loud to myself for the first time last night and I heard growth as a writer, thinker and viewer of the world.”

Finally, another student who had been frustrated and a little bored by Camus’ style in The Stranger realized that his own writing reflected this very same style. He went back to the short story he had been composing in workshop with a fresh eye and revised from there. His self reflection included these words, “Who knew I would end up liking to write? Probably you, Mrs. Clark.”

And I’ve only mentioned the kids whose writing was inspired by their reading…For the sake of space I haven’t  included others who played with style, development, genre, imagery and more apart from their reading, but with equally impressive outcomes.

Here’s the thing. I could never have created a set of directions that would have led to the crafting of any one of these assignments. My brain would never have gotten there. And if I had by some small miracle, actually assigned even one of these pieces, the investment and engagement that was palpable in the classroom simply wouldn’t have existed. Why? Because they would have been working for me, for the grade. They would have been doing the work that I asked them to, in the way that I told them to and it would have been good but it wouldn’t have meant so much. Teacher pleasing is not engagement. It gets the work done, but it doesn’t resonate, it doesn’t linger.

The student who wrote the 62 paged piece has now, long after the grading is done, methodically increased the collection to 120 pages and is considering inserting photography as well. This piece is hers and hers alone. Its genius stems entirely from her mind and her process. The small intricate touches she is adding don’t reflect the work of school; they reflect the work of her heart.

The writing turned in during this writer’s workshop represents the inspired work and thinking of students who, when given the chance, were ready to prove without question the value of choice and freedom, the value of engagement and ownership.

And as a result, despite knowing these students for the last four years, after shifting my role completely to consultant rather than instructor and after the joy of witnessing the results, I find myself quite simply awestruck.

(this piece really needs to be longer…and less clunky…I don’t have an ease about my writing when I write about my classroom yet–something I am working on over these months… Day four writing, done!)

Enjambment

—in poetry, when a sentence or phrase overflows its singular line and pours into the next (and maybe beyond) before meeting with a solid pause and some kind of terminal punctuation…

As I sat in my office early this morning considering whether I really needed to teach the term “enjambment” to my AP seniors later in the day, I suddenly found myself daydreaming and spiraling away in wonder from the task at hand.

My affection for poetry runs deep. And I’m not even sure there is a tangible way to describe why. For a while, I thought it was because I simply loved the puzzle of analysis or the way writing a poem allowed me to lay my emotions down on the page. But as I began to include more poetry in my classroom–and not just poems that I was choosing because “they were important to study” (how do you even qualify that?), but poems that students sought out because they were struck by the words on the page, poems that we read aloud and then lingered over, poems that made us smile or think or pause, poems whose careful construction crafted something unexpected–in those moments, I realized that I loved poetry because it was, in fact, the greatest teacher in my life.

As a teacher of writers, poetry has instructed me to choose and arrange my words with care and how to apply punctuation in all of my writing to deepen meaning and understanding. As a teacher of readers, poetry proved to be a bridge rather than the barrier it is always portrayed to be. So often the assumption that students will hate poetry prevents us from really giving it a chance in the classroom. We relegate it to a singular unit as though it has no place in our everyday lives. Except that unit is a false metric. Poetry presents a perfectly sized challenge to our readers–all of our readers. In their brevity, poems allow us to better understand what it means to be a writer and also grants us the opportunity to better understand ourselves, the world around us and our place in it without alienating or overwhelming us with verbosity stretching from margin to margin, page after page. (there’s so much more for me to say here–but it’s not my point, so I’ll return to those thoughts another day…it’s not like I’m not writing everyday at this point…king cake is a powerful motivator!)

But, today, as I considered the word “enjambment” my brain strayed from line breaks and end marks in poetry to the moments we consider end marks in our lives–and I realized that maybe they aren’t the clearcut extended pauses we hope they will be, maybe there is nothing “terminal” about these moments we see so clearly punctuated. And maybe that’s the best possible circumstance, to live a series of enjambed lines.

The more I thought about it, this truth grew more brilliant–it would seem my  life has been exactly that: an extended thought that overflows the expected boundaries.

I can’t isolate events without realizing that every moment I’ve lived, every hardship endured, every joy celebrated has influenced and shaded in some way every moment that followed. Because each one of these experiences has molded and shaped me into the person I am today. There may be a brief pause for momentous occasions as there would be to denote the end of an unpunctuated line of poetry, but then the poem keeps going, we keep on living–defined by the lines above, defining the lines to come. I like this so much better than the cliche of “starting a new chapter in life” as though you need to completely close out one period of time in order to move into the next. As much as I joke about how great it would be to just close the chapter on my inner ear illness or the years where I thought we would never have a baby, I also know that my perseverance and much of my strength emanates from having endured those years. To view healing as a complete stop and better health as a new and entirely separate enterprise would be to deny the truth of my experience, of my life…and the wisdom and compassion gained in living those days…it would deny me the continuity and movement of each experience flowing into the next.

I didn’t end up teaching enjambment today. I needed more time to figure out how to grant my students the opportunity to see it as more than just a literary term with form and function. I didn’t just want to give notes and examples. There seemed to be greater opportunities available. So we will wait.

I suppose that it might seem I was wasting valuable planning time in this wandering distraction. Yet, I feel like it defines the real reason I love poetry…it grants me the space and time to be still and to wonder. And as much as I love gifting myself with those moments of freedom as I wade around in a poem, granting my students that opportunity to think freely and for themselves and then witnessing the outcome is infinitely more valuable. And certainly isn’t an opportunity to be caged in a single unit, taught once a year.

(This one was tough to write. I knew what I wanted to say but by the time I sat down to write it, I was exhausted and the thoughts jumbled. But day 3 is done and I’m proud of that!)

 

 

Hope

Someone asked me just before the New Year announced its arrival with colorful displays and cacophonous litanies, what word I would choose as sort of a mantra for the year. I had to pause (it felt like a rather weighty decision after all, I should be thoughtful).

I considered the previous year, 2018. This was a year that tested me in ways I’ve never been tested. My health decided to forsake me and as desperately as I tried to swim up through the mayhem of new and damaging symptoms, I only seemed to sink deeper. I was committed to not giving up my life and livelihood even though its quality had been diminished. I fought fiercely to put on a smile and to tell people not to worry because I was fine when that was the farthest thing from the truth. I made jokes. I taught my students. I cooked meals. I attended soccer games and plays where my own kids were competing and performing.

Well, a shadow of me did anyway.

I realized this Christmas that other than remembering how distinctly terrible I felt and the anxiety that swallowed me up as a result, last Christmas was a vast black hole. Because you see, while every picture reveals a woman smiling and being active and grateful for her life and those in it, every picture also hid what was happening on the inside.

On any typical day, I am without fail annoyingly optimistic. I own this trait–and while it can be less than realistic at times, it is also the only way I care to look at this world and my place in it. But in the days between November 2017 and June 2018, not only did my optimism fade, but so did my hope that I would ever be well or whole again…that I would ever hear normally, that I would ever have a non-dizzy day. And as my hope withered slowly, so did my spirit. And as my spirit dwindled I no longer recognized the person I had become and quite honestly, this terrified me.

And then, as though a gift from above, I was offered and received the surgery that fixed most of the physical issues with my inner ear. It was overwhelmingly successful–I couldn’t have ever imagined I would feel this good again and while incredibly grateful, at some point I realized that even though my body was seemingly “cured” (even if only temporarily), I wasn’t healed. There was damage that no surgery could repair. The rebuilding of my trust and my hope and my optimism was going to take time–it was going to take effort…so. much. effort.

I began to think of Emily Dickinson and how she described hope–

“‘Hope’ is the thing with feathers-

That perches in the soul –

And sings the tune without the words –

And never stops – at all -”

So I knew hope had to be there…maybe I hadn’t listened carefully enough in the furious “Gale” of those sick days to hear it singing (or maybe I was simply too tired to make the effort to try). But that’s the thing about hope–I don’t doubt that it was always waiting for me to seize it up enthusiastically and allow it to carry me forward. I don’t doubt the power of its force and I don’t doubt that it is there for every single human in this world who seeks it out despite hardship–hope is certainly not biased in who gets to partake. I also don’t doubt that hope, as powerful as it is, lacks the ability to swoop up an unwilling passenger–hope is not for the bystanders, it is an active state of being.

I lost hope because I grew too weary to fight harder to seek and to maintain and to nurture and to treasure it. I lost hope because I thought hope had forsaken me–I removed myself from the equation and I was too blind to even realize my role in this. And once I felt betrayed, once I felt abandoned by hope, all I could feel was sorry for myself. And this was new territory. It took me realizing that I needed to seek hope out for it to sing loudly enough for me to hear.

So, in my pausing to consider what word should define my new year, it was hope that reverberated in my mind and in my heart. This is a world that commands hope for survival. Even when you are not sick, sometimes the world seems to be. It can feel easier to give in to the pessimism, to the rancor, to the weight than to fight to see the goodness humanity still possesses and creates. But it is our job to see that light in others and in the world, to amplify the good, to sing the song of hope so loudly that everyone else cannot help but listen to its melody (and hopefully hum along). And for this year, and beyond, Hope (seeking it, singing it, living into it) is my word, my guide, my path back to myself and who I truly wish to be.

(This podcast is a really great listen for everyone but especially if you are suffering without cure in sight but might benefit from understanding the difference between being “fixed” and being “healed”. It has been an integral part of my understanding on this journey.)

Day 2 of Carnival Season writing challenge complete!

 

A new beginning, a challenge

I had this spectacular plan. I was going to blog on the first day of the New Year and lay out a plan for writing every single day of the year after that. They were going to be short pieces with single word titles—and the writing would in some way elaborate on that single word. It was a means to write everyday as an act of discipline and to shake free from the excuse of not having enough time to write.

It was a good plan. Right?

So, what happened, you might be wondering. Who knows, really? I could extend every excuse imaginable, except none of them would really speak to the truth. When it came down to it, as enthusiastic as I was about my own idea and my own writer’s goals, I fell prey to the intimidation of it all. I like to take my time when I write. I like to think things through, to rearrange words, to play with sound and with balance. This assignment of publishing daily might cut that short…I might not enjoy the process as much this way.

And then there was my ear. While the surgery for the most part healed my inner ear struggles, “the plague” has left its mark and sometimes that situation clouds my thinking and makes words harder to come by. I don’t like to write when I feel less than myself, when I feel like what is on the page isn’t really representative of who I am…except on that day, that is exactly who I am and maybe it is time to start owning that a bit more…to start accepting myself everyday and not just when I am comfortable.

(This avoidance by the way was so familiar to me. I see it in my students all the time. Those young people who have convinced themselves they aren’t writers, can’t write, won’t write, who are so intimidated by each and every assignment that they just avoid them. Just as I had, they tell themselves half truths about being too busy or about just not really caring that much or about how it won’t be perfect so best to just not begin…when in fact they are simply scared of putting themselves boldly onto that blank page…when in fact they simply recognize that being a writer means being vulnerable and vulnerability isn’t so easy.)

That’s the thing about discipline though.  It requires diligence and hard work, but the results are often so very much worth the effort. So, this process might be uncomfortable at first (okay, it is definitely going to feel uncomfortable at first), but as I move through it, my hope is that I will come to understand myself better as a writer and as a thinker and as a person in this world.

With this realization, my resolve strengthened, but how to begin so far past the start of the year? Does it even make sense anymore?

Well, today in the Christian world, it is the Feast of the Epiphany…and in my part of the world this day is also the mark of something else very special…King Cake seasonJMy new and improved plan is to write everyday of King Cake season from today, January 6, through Mardi Gras day, March 5. Same idea—short pieces, single word titles, but for a finite period of time (with the absolute hope that at the end of this season, the habit, the discipline, the writing continues). My treat to myself should I succeed? Well, of course, a giant slice of gluten free king cake! (I mean, I could tell you that the writing alone would be motivation enough, but come on! A girl deprived of king cake for weeks on end, in the singular brief flicker of time she is granted the privilege of enjoying this delectable delight, will absolutely write everyday if it means king cake at the end!)

Join me or not (though I would love to have you!), these blogs are more of a personal endeavor…a chance to see what I can really accomplish…a chance to build a habit as well as a body of work…a chance to own what it really means to call myself a writer.

And with that commitment to myself, I’ve begun! Here’s to making time tomorrow in the midst of the mayhem of the first day back after the winter break to write.  There’s something sort of lovely about the thought of that though, after I get past the seeming impossibility, because in fact what I will be doing is making time for myself…to think, to be, to explore, to grow, to write.

Her Story, Mine

There is a story I’ve been told for as long as I can remember…

The first time my mom met her future father-in-law, my grandfather, and revealed, upon his request, that her major was Secretarial Sciences, his response was, “What are you gonna do with that?”

I like to imagine my mom in that moment…taken aback by the comment, polite in response, but accepting of the challenge—as though her thoughts spoke even more loudly this– “What am I going to do with that? Watch.”

As an English major at LSU, I ran into similar commentary from more people than I care to admit. “English, huh? Well, that’s a husband hunting major.” Which, in case you were wondering, translates like this: “Well aren’t you cute, little lady, with your fluffy major.”

“What am I going to do with that? Watch.”

As a teacher for the last 20 years, the script has seen few revisions. “Well, I mean, it’s not like you have a real job…you get off at 3:00 after all and those summers, I would love to have summers off…I mean if you were really capable, you wouldn’t be justa teacher” And nearly every time I’ve heard these words, I’ve simply imagined my mom facing my grandfather, the challenge she met with a quiet fury, and the accomplishments that followed. Sure I’ve been baited into argument over these statements…I am the daughter of an attorney after all—I know how to build a pretty formidable case and sometimes, I cannot resist. But more often than not, my response is a quiet, internal impulse to excel, to achieve, to succeed.

“What am I going to do with that? Watch.”

These diminishing questions make a statement that extends far beyond a major or a profession. Women have been enduring “well-meaning” demeaning commentary for centuries and continue to carry the burden of having to prove themselves equal, worthy of being heard, and strong enough to lead.

This past August, my mom and her business partner sold their court reporting firm and she finally stepped into a much-deserved retirement. As she began planning for her days without the stress of work and owning a business, I was stepping out of my classroom and into a far more stressful position—Head of High School. The juxtaposition of these two moments struck me and I think that maybe for the first time in my life I fully understood the weight of my mom’s example in my life.

You have to know this before we go any further here: I have a really amazing mom.

The kind who finds out her adult child is sick and spends every waking hour for two straight days cooking so her sick child won’t have to…the kind who shows up at the hospital when she has the full out flu because her little girl is giving birth to her first child—20 weeks early, too early…the kind who teaches you that “nobody ever said life would be a bowl of cherries” and then comforts you when it isn’t…the kind who owns Thanksgiving like a boss…the kind who you can emulate but deep down you know you will only ever be able to be a shadow of the mom she has been and continues to prove herself to be.

My mom is certainly not the first working mom. However, in a world where so many moms feel judged and judge themselves even more harshly for the choices they make (stay at home, work, nurse, bottle feed, etc), her example enables me to feel validated in my decisions—to feel that I’m not sacrificing selfishly. She has always been fully a mom and has also always worked—first from home, then for a boss in an office, then in her own office as she and a partner bought the company and kept it going for nearly 23 years. She had to be creative at times both in how she worked to keep her company afloat and successful and in how she worked to still be absolutely present in the lives of her family. Her notebook was always in her bag and she was always at the ready to answer calls “Alliance Reporting, this is Karen speaking…” And this was true whether she was at home, at the hospital with one of us, or spending the day with a sick grandchild. Work was always present in her life, but so were we, and as she strove for balance there, the love and kindness she poured out were undeniable.

My mom has this strength that is formidable and a savvy intelligence that I’m not even sure she recognizes. I have a vivid recollection of the hours she spent ensuring a software patch was installed that would survive the feared Y2K crisis. I mean countless hours with the tech guy, on the phone, in the office.  A lot of people did this I suppose—things were so uncertain and planning felt necessary. However, I feel it is pretty important to note here that in that same year, in those same moments, she was also making my wedding dress (that’s right-making it without an actual pattern) and doing the lion’s share of wedding planning as I was in the middle of my first year of teaching and sort of just threw it on her. Needless to say, my dress and wedding were gorgeous and her company survived Y2K without a hiccup—but none of that would have happened without her tireless persistence and resilience

I could go on at length with examples like this but what does it all come down to besides the fact that I have been blessed by her ever-present love and strength?

It comes to this.

I never gave her enough credit for being more than a mom. I never stopped to think about the example she was setting for me. I never paused to realize that all my feisty independence, all my “don’t you tell me I can’t…” came from her quiet presence. I never understood that while I look up to all these women who have proven that women are more than they are often given credit for—and there are so many—the woman who has influenced me most in this way is my mom…the woman who has enabled me to fight (hopefully with grace) for people who need a voice is the woman who gave me my own.

As I begin this new rather auspicious job that kind of terrifies me as much as it exhilarates me, I’m leaning on her example more than she realizes. As I blindly seek balance between my school kids and my own kids, between my coworkers and my family, I remember that my mom has done this already, that we all survived, and that we always knew she loved us. When I fight for kids whose voices desperately need and deserve amplification, I remember the spine and integrity with which she led those she worked with and my own is strengthened. When I feel like I have so much to prove and that there are those who will second-guess, the quiet hush of my heart speaks these words:

“What am I going to do with that? Watch.”

A ticket for my destination

“I was in crazy motion

till you calmed me down…”

(“Something So Right”, Paul Simon)

To the observant eye, Jazz Fest 2006 was a composition of strange juxtapositions. The pain of loss was fresh—surreal but powerful, pervasive. But, the city, nurtured and healed by its heart and enduring community, was reaching for recovery. Jazz Fest activities offered reprieve and felt almost normal, as though for a moment you might forget. But even amid that semblance of normalcy there was a constant haunting reminder that outside the gates of the Fair Grounds lie the lingering stench of floodwaters that sat for too long, houses (lives) left in shambles (unrecognizable), an emptiness left by those displaced or worse. There weren’t bookmarkers to measure this loss.

Inside the gates, however, was something else entirely–a vivid display of all that we are and have been; a brilliant indication that we would in fact be okay, we would rise again. The food, the music and the community of people joyously gathered together in spite of it all worked to heal something inside of me that day. Something I wasn’t so sure could be healed.

I went to that particular day of Jazz Fest as a bit of an unwilling participant. In addition to the devastation the storm brought to my family, in the months leading up to the storm, my husband and I had lost our son midway through the pregnancy and another baby to miscarriage. My body, my spirit was battered and seemed to understand a depth of loss that my empathic nature could never have predicted. It seemed permanent damage. And maybe on some level it has been.

Except not entirely.

I went to Jazz Fest that day for one reason only: Paul Simon. I was in a funk. I was sad…for myself, for my city, for my parents…and I just wanted some do-overs.  Paul Simon’s music does something to me that I don’t have proper words to explain. His lyrics are poetry in a way that not all lyrics can hope to become. His awareness of words, his attention to how they work together, to how the sounds of the letters and their repetition create a rhythm just as the music does, how his words create a moment for the listener–first inviting you in, then residing in your heart, in your mind. That is what poetry does…that is what Paul Simon’s work has done for me…storied my life, guided me through.

As I stood in that field, Paul Simon, playing songs we had all heard before, somehow uplifted the city of New Orleans, and I was delivered to a sort of rebirth…a baptism if you will, but not by water (there had been enough of that). It was music that brought healing and comfort that day and carried me from the funk to the other side…to a place where I could see the possibility of goodness again. I stood in that field not knowing if I would ever have children, but knowing that my spirit was healing and that no matter what, I would be okay.

“My life is made of patterns
That can scarcely be controlled.”

(“Patterns”, Paul Simon)

Thirteen years later, I find myself in the midst of a new sort of recovery, facing the hope of yet another rebirth.

I spent so many months of the last year disabled by hearing loss and vertigo…and after becoming resigned to the fact that my hearing could be permanently damaged but I might still potentially hear the movement of my eyes forever (I promise, the novelty of this idea is deceiving)…after spending months trying to memorize the sound of my children’s laughter rather than be annoyed by the noise of it and carefully studying voices of loved ones before I no longer heard them as I should…after learning not to trust my body or my balance and after fearing loss of so much, I have come to find my body healed (at least for now) by a surgery that seemed unfathomable for so long.

Yet, while my inner ear is currently in a more cooperative mood, my mind and spirit are still trying to catch up. On any given day, at any given moment, I find myself suddenly stricken with absolute panic over the possibility of symptoms returning despite the fact that, everyday, my life is a little closer to normal. Or, I find myself unexpectedly emotional at the weirdest times when gratitude for health and healing overwhelms me. I’ve learned what it means to be a fighter over time, and while I am weary of having to continually prove my brawn, I furiously battle on through the weight of this anxiety and these grateful tears.

In the midst of all of the unknowns of this illness though, tickets went on sale for Paul Simon’s New Orleans show of his farewell tour.  We bought floor tickets without thinking too much about it. I had no idea if I would be able to stand in a crowd or stand at all…I had no idea if I would be able to hear well enough to enjoy the show…I had no idea if I would be too sick to attend. All I knew was that if Paul Simon was coming to New Orleans, I had to be there.

Buying those tickets was a leap of faith.

Recovery has not been an easy road, but my beacon all the way through was knowing that in just a few short weeks, I would be in the New Orleans Arena vertigo free, with my hearing restored and once again having my soul replenished by the beauty and richness of Paul Simon’s lyrics and music.

As I sit here tonight typing these words (the night before the concert), a tropical storm looms in the Gulf (I promise, this English teacher has assigned more meaning there than should be).  A bit of a reminder for me that storms will come–they might flood, they might destroy, they might bring uncertainty and fear and it might be hard to see in the midst of them or to know when it will subside, but there is another side.

There is always another side.

Tomorrow night, when I walk into that arena, I will be stepping not just into a shelter from the storm, not just into a brief respite, but I will be stepping toward the consolation that will be my reward.

Sometimes it’s the moments that make the movement

The most important moment in my high school career had nothing to do with grades, awards, or really school itself. And I guess, if I’m honest, it was more of a realization than a precise moment. In my memory though, it feels like a decisive point in time.

Somewhere in my sophomore year, a determination settled in my heart: I didn’t care what other people thought of me. I was going to be myself and if that wasn’t enough, then I didn’t need the weight of that judgment in my life. And in return I would quit (or try my best to quit) judging other people.

It wasn’t defiance or some kind of a front or a wall that I was putting up—it was the truth of my heart. It was me making peace with myself.

~~~~~~~~

I’ll never forget the look on his face. He walked into my classroom exhausted and distraught and ready to fall into pieces. He looked at me and said, “I’m here because I knew I wouldn’t be judged and I need to talk.”

My heart was ready to carry the weight it would receive. I was ready to listen and accept whatever it was he needed to share.

I had already accepted him and nothing could change that. Thankfully, somehow, he knew that.

~~~~~~~~

“I’m a non-writer and a struggling reader.”

Those were the first words she spoke to me as she entered my classroom on the first day of school. I had never heard a 15 year old identify herself in these terms before this moment. She introduced herself this way almost as if this information, that she believed so intently, was more important than her name.

I told her, “Well, we will see about that.” I gave her a smile and made a note that her first reading and writing goals would be nothing more than to work on her confidence.

Doubting the possibility of any kind of growth, she was skeptical.

I knew better. I could see what she couldn’t about herself.

~~~~~~~~

It was May 2014 and I had just become a Heinemann Fellow. I had no idea what that meant exactly and when people asked I am pretty sure my answer was some variation of “I think I will do some research and maybe write a little bit and I know I get some free books.”

I never even really expected to be chosen—I just wanted to try for it. I had never written professionally. I knew I liked to write, but I didn’t think any of my writing was very good.  I didn’t consider myself a writer for sure. A teacher of writing, yes. But a writer, no way.

So, there I was at the Heinemann reception at the ILA conference in New Orleans. I didn’t know a soul in the room, but I was totally awestruck because so many of the teacher authors I admired were present. That whole high school confidence “I don’t care what people think” thing was out the window…I was nervous! I wanted to impress, to fit in and I couldn’t see a way that I could ever measure up.

But I was in a room full of teachers and, you know, teachers have this sensibility about them, a certain kindness.

I was introduced to Ellin Keene early in the evening. She would be “in charge” of the Fellows—we were her babiesJShe had been one of the readers of my application. Upon finding this out, I immediately began to summon up an apology for not having submitted professional writing, only a creative personal piece. Before the words could exit my lips, Ellin said, “You are a writer, you know that, right?” and proceeded to talk about how my piece had moved her.

I was a writer? I was certain she was thinking of the wrong person, but she knew my work. It had stayed with her. It had meant something to her. I was a writer.

Confidence restored. I haven’t looked back.

The power of a teacher.

~~~~~~~~

We all have stories to tell. Stories of our interactions with a text…stories of our experience in the world…stories that help us figure out who we really are…stories that help us heal…stories of endless variation. This includes our students. Grades and fears of judgment/fitting in and getting into college should not limit the possibilities and potential of those stories.

I think sometimes, as high school teachers, we forget that we teach kids. That is not to diminish their intelligence or to challenge their maturity or the value of their voice. I am awestruck by high school students every single day. I think they are brilliant and funny and worthy of being heard in this world. That is why I teach them. That is why I have agreed to work in an administrative role in addition to my teaching duties–because I think so highly of high school students.

But at the same time, we get caught up in material and in testing and in expectations and we forget. And our students have this uncanny ability to appear so grown up on the outside that it becomes easy to overlook the fact that on the inside they are still just kids trying to figure out who they are and how they fit in the world. And they are trying to accomplish this in the midst of enormous pressures from the outside. Our kids, our students, are faced with impossible expectation for what it means to succeed, to fit in, to be smart, to be normal, to be accepted.  The last thing they need is another grown up in power proving to them that they will never measure up.

Our students sit in front of us—a composition of a whole lifetime of stories and experiences that have shaped their literacy lives as well as the person they have become over time. They are still growing and still determining the person they want to be. They need a little extra grace and some positive words from their teachers. They need us to be able to see beyond the facade of the moment and understand that there is so much more complexity to them. They need us to consider them—not as students or as a job, but as human beings…even when it is hard…even when they skillfully deliver attitude or appear entirely apathetic…they need us to see beyond the show.  They need to be accepted.

Is that always easy? Does that mean we don’t usher them towards any kind of growth? Absolutely not. Accepting people for who they are, as they are, is never easy.

There are so many ways to grant those positive words though—I’ve written before about writers notebooks, but they extend a gorgeous means for kids to figure out who they are, how they feel, and to begin to accept themselves (they are pretty handy for adults too…just saying…) But also, as teachers, we can name kids as readers and writers without negativity and be able to speak specifically to each about why. We can write small notes of response and reflection on their work that extend the insight they don’t have into their own work instead of simply marking a rubric or issuing a grade, We can ask about how they felt as they were reading and writing and then we can reassure them along the way. We talk to them sincerely about the unique gifts they bring to writing (and to reading and to the world at large)—to let them know that not everyone else can do what they can.

It takes a little time. But these are the words they will carry with them. The time it takes us to offer this encouragement is worth the lifetime of effect that encouragement could have.

~~~~~~~~

I think Mary Oliver’s “Roses” had it right…

“Forgive us,”

they said. “But as you can see, we are

just now entirely busy being roses.”

(http://www.stmarksbuderim.org.au/poem-of-the-week-roses-by-mary-oliver/)

~~~~~~~~

Having finally recovered from six months of debilitating vertigo, I finally had the chance last week to sit down with my youngest son and watch The Greatest Showman. My kids absolutely adore this movie and this soundtrack so it was fun to get to watch it with him.

We were sitting together on the couch when the song “This is Me” (written by Benj Paskek, Justin Paul) was performed and I got a little teary eyed. He was worried for me. He said, “Mom, why are you crying? This is everyone’s favorite song! You should love it!”

I did love it.  It was perfect. We paused the movie so I could explain that all I could ever want in this world is for him and his brother and every kid I teach to feel this way:

“But I won’t let them break me down to dust
I know that there’s a place for us
For we are glorious

When the sharpest words wanna cut me down
I’m gonna send a flood, gonna drown them out
I am brave, I am bruised
I am who I’m meant to be, this is me”

I’m pretty sure he thinks I’m just a sap who cries at weird places in movies, but sometimes it’s the small moments that create the movement.  Felt worth the conversation to me.

 

As I Return to School…

Tomorrow morning, I go back to school. Back to my classroom, to my students, to the profession that is my passion after a weeklong Mardi Gras holiday. However, I will also return to an unusually timed school assembly, to an emergency lockdown drill, to anxious and also angry students, to an unsettled faculty and to locked classroom doors. My own children who are ages 9 and 11 attend the same school where I teach 10th and 12th grade. They are merely across campus from me, which is always a comfort, but tomorrow will feel entirely too far away. Tomorrow, my heart will beat just a bit faster behind the mask of a calm exterior (“We Wear the Mask” Paul Laurence Dunbar). Tomorrow, my heart will break all over again for those lives lost and for the fact that this is the current reality of education—one that I refuse to accept as normal or futile.

And can I also just say that tomorrow, as I climb the steps to my classroom, the memes and the snark that are flying around on social media don’t make any of that any better. No matter how smart that meme you are sharing or tweet you are retweeting feels or how victorious your comment to that person you don’t know but felt the need to take down made you appear, it doesn’t change one damn thing about the days every teacher and student face as they go back to class. Not one damn thing.

Voices need to be heard—I’m in no way denying that. We as a nation, should be in discussion. As I scrolled through social media this weekend, I saw so many people tirelessly attempting to house meaningful conversation and to share fair minded articles of importance. I also know, however, that what I saw more frequently wasn’t a national conversation on an important issue, it was a downward spiral, in many cases, through the wars of “I’m right and you’re stupid.” Real change isn’t enacted in that way.

As a teacher, every decision I make in the classroom is made with my kids in mind—which poem to share, how to respond to a writer so that they learn to elevate their craft and still maintain confidence, when to reach out to a kid in need, what kind of professional development will best benefit my classroom and those who populate it, and so much more. Even with that, I can understand how those removed from schools might not see this issue as anything more than a political scenario to be argued in any petty way possible. So let me say it like this, I’m glad you had that moment of vitriolic facebook or twitter fame, but none of that extends comfort or safer circumstances to the students I will walk through the day with tomorrow and everyday for the foreseeable future. If anything, it makes them less hopeful that any kind of change is possible.

Issues of school safety are far bigger than political and personal opinions. The lives of our children are at stake. They get it—our kids see this so clearly. They get that they didn’t have a say so in who has been elected and in what policies have passed because they aren’t old enough to vote. They have had to rely on us—the responsible adult population—to make decisions that would keep them safe. They get that we have failed them and they are witness the arguments we are stoking in response instead of making any kind of real change.

So what are our kids doing? They are organizing marches and protests to make their voices heard—to be taken seriously—to be considered as important if not moreso to the voting citizens and leaders of this country than the preservation of longstanding political allegiances and opinions. And I would say that it is about time the rest of us wake up and pay some attention.

A former student of mine who graduated last May, Marshall Ponder, sent me an email today with a piece of writing attached that he had composed out of sheer frustration with the current state of affairs in this country. With his permission, I’m going to share a bit of what he wrote:

“…In terms of recent events, I’m at a loss for words. I’ve found myself struggling to formulate my ideas into words in the past, however, those matters were for describing beauty, wonder, and amazement; for the most part the light, not the dark. The one thing I do know is that children are dying, innocent children, our children, and we as a nation point fingers, send thoughts and prayers, yet continue to do jack shit about it.

Today much of my time has been spent reflecting and researching the school shootings our nation has endured. From Columbine, Sandy Hook, and Parkland I find nothing from my research besides deep sadness and skewed political opinions pointing fingers.

If you know me then you know I come from a background of gun wielding outdoorsmen. I was raised around guns my entire life, taught the importance of safety, the effects of what could go wrong and so on. My father and grandfather did an excellent job of educating me in this field that many in this nation are not accustomed to.

In this ongoing yet immobile debate of what ought to be done to protect ourselves from this internal terror, there are two major factors at play, access to guns capable of destruction and depraved mental health; both of which need to be dealt with in full force if we want to eradicate this terror. Even if stricter gun laws don’t solve the problem completely is it not worth a try? At this point any sort of progression towards peace is worth the effort. From a gun owner’s point of view, put restrictions on buying guns and ammo, because we as a nation have proven that we aren’t capable of handling a responsibility as large as that, time and time again.

…I wish I could write more about the mental health issue side of this debate but I’m exhausted. Thinking on this subject matter breaks me down in a way I’ve never experienced. To the people in Washington sending thoughts and prayers, get your head out of your ass and take a stance. If only the people who run our country could go visit each and every one of those families who were shattered, then maybe, just maybe, they’d be inspired to do everything in their power to prevent this from happening again.

The divided nature of this country has driven me to a point of insanity. Learn how to love your neighbor despite how different their views may be, hug your child, inspire love not hate, and reach out to those you see are in need. If we all came together and got close to the problem at foot, then maybe one day we can send our children to school without the panic they may be gunned down, maybe one day we’ll live in a world where different views are rejoiced rather than spat on, maybe one day we’ll see more laughs and smiles, and less crippled frowns, maybe one day…”

Marshall is 19 and he is broken down and exhausted and still he sees this issue so much more clearly than so many of the rest of us. His words also exemplify why I am so passionate about teaching high school students. He sees the brokenness of school safety honestly and is able to put aside what is comfortable for the reality at hand—to sacrifice long standing beliefs in order to stand up for what he sees is right—to see the world through the eyes of another and to push for change. I place my students regularly in situations that ask them to think in this way because as an English teacher, I’m not just teaching reading and writing, it is also my job to help mold empathic human beings who will leave high school ready to make the world a better place. Honestly, we are all capable of this vision and called to it. That is the hope that is left in this world-the hope that impels me forward to my day with my students tomorrow. The hope that we will “inspire love not hate, and reach out to those… in need.” The hope that we can rise above our selfish desire and create a world our children deserve.

I’ve shared this poem before, but it feels appropriate:

“The World Has Need Of You”
by Ellen Bass

everything here
seems to need us

—Rainer Maria Rilke

I can hardly imagine it
as I walk to the lighthouse, feeling the ancient
prayer of my arms swinging
in counterpoint to my feet.
Here I am, suspended
between the sidewalk and twilight,
the sky dimming so fast it seems alive.
What if you felt the invisible
tug between you and everything?
A boy on a bicycle rides by,
his white shirt open, flaring
behind him like wings.
It’s a hard time to be human. We know too much
and too little. Does the breeze need us?
The cliffs? The gulls?
If you’ve managed to do one good thing,
the ocean doesn’t care.
But when Newton’s apple fell toward the earth,
the earth, ever so slightly, fell
toward the apple.